Product films, launch visuals and interactive experiences.

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XO3D Studio · Use Case

CGI for Trade Shows & Exhibitions.

XO3D produces 4K content for exhibition screens, hero renders for stand graphics and mechanism films for sales demonstrations, all from the same build as your launch campaign.

Real project work

A product story for the show floor.

On a stand, a film has seconds to show what the product is and one thing it does. Bloq.it’s 54-second smart locker film was made for a tech-show launch and the website. It shows the locker from the front, side and corner, its touchscreen, and the vault coming out of its compartment and going back. The poster below is a frame from the film; press play to watch it with its controls. Read the Bloq.it smart locker case study for the brief and the renders made alongside it.

Bloq.it smart locker product film, 54 seconds. Watch it on its own page.

CES 2023

Noesis Florio: a prototype on a big screen

Noesis Robotics came to XO3D through BPL Marketing for CES 2023. The Florio robot vacuum was still a prototype, so the launch film and stills were made in CGI on a one-week brief, for a 4-metre-wide event screen. The case records what was made for the show, not how visitors responded. See the Noesis CES project.

Tech-show launch

Bloq.it: one mechanism to talk about

Bloq.it needed to show its smart locker ahead of a major tech show, on a short deadline. One focused sequence shows the vault leaving and re-entering its compartment, a single mechanism the stand team can point to in conversation. It is a visual explanation of the design, not a service procedure, and the case does not record visitor outcomes. See the Bloq.it vault sequence.

Concept visual: Bloq.it Next lockers on an exhibition stand, made with XO3D's CGI of the product
Concept visual: XO3D's Bloq.it Next CGI shown on an exhibition stand. See the case study behind the Bloq.it smart locker launch film.

Trade-show content asks two things that CGI handles well: detail for large screens and prints, and a way to show a product that may not physically exist yet. Large-format stills are rendered at the size the print needs, agreed at brief. For an unfinished product, see pre-manufacture visualisation.

Trade show deliverables

Screen Content

Loops for exhibition displays

Looping product animations for exhibition screens and digital signage, showing the product, a mechanism at work or the brand's visual language in motion. The canvas, length and loop point are agreed with the team that runs the screen.

Stand Graphics

Print-ready imagery, scoped to the stand

Hero renders are produced at the resolution each print needs. Final dimensions and the printer's requirements are agreed at brief, and the approved 3D scene can be rendered again for the banner specification.

Sales Demo Films

Mechanism explainers for the stand

Short mechanism animations that show how a product works, for demo screens and sales presentations on the stand. Most useful for technical products where the mechanism is the sales story.

Pre-Manufacture Products

Showing what doesn't exist yet

For brands bringing a product to its first trade show before manufacturing is complete, CGI can show the planned product from approved CAD data. Noesis's Florio robot vacuum was still a prototype when XO3D made its CES 2023 launch visuals.

What makes trade show CGI different

Print detail, unbuilt products and a fixed date.

Large-format print is specified by final dimensions, viewing distance and the printer's requirements. Pixel dimensions determine how much image detail is available at that size. A CGI scene can be rendered again to an agreed output specification; enlarging an existing 4K image does not create that detail.

The second advantage is pre-manufacture. XO3D built Petalite's 1MW EV charger films and stills from its evolving CAD before a single unit was built. For brands with long manufacturing timelines and fixed trade show commitments, this allows imagery to be prepared from approved product data before the physical product is ready.

For a fixed show date, see the Flash Motors CES launch films: two 40-second 4K films, one of the Infinity X scooter and one of its handlebar controller, made for the CES 2024 booth screens and the social campaigns that followed. Versions for social or ads after the show are scoped separately; CGI for paid social covers those formats.

Trade Show DeliverableTypical SpecFrom CGI
Full-height display printFinal dimensions and image resolution agreed with the printerRendered from the 3D scene to the agreed pixel dimensions
Looping screen contentCanvas, length and loop point agreed with the AV teamNative CGI animation output
Sales demo presentationHigh-res stills + mechanism animationFrom same asset as screen content
Pre-manufacture productBuilt from the CAD you approve, checked by your product reviewersRendered before the product exists

Joining halfway

A loop that makes sense from any point.

Visitors rarely arrive at the first frame. A short loop works when each moment carries enough context: the product is recognisable, one feature is explained, and the end returns close to the start. The three frames below come from Bloq.it’s published vault clip, in the order they appear. They show the idea; they are not a template for every film.

  1. Bloq.it smart locker CGI, an open locker door with the vault seated in its compartment
    Establish. The locker door is open and the vault sits in its compartment, so a newcomer sees what the product is.
  2. Bloq.it smart locker CGI, the vault with its handle raised, slid forward out of the compartment
    Explain. The handle is raised and the vault slides out: the one feature this clip explains.
  3. Bloq.it smart locker CGI, a vault back in the compartment with its handle folded flat
    Reset. A vault sits back in the compartment, close to the opening state, so the loop can start again.

Before production

Send the screen specification.

The screen decides the edit, so confirm it before anyone animates. A physical width alone does not fix the pixel canvas: a wide video wall may show fewer pixels than its size suggests, or an unusual shape. Ask the stand contractor or AV team for their current specification, and leave a field as “to confirm” until they answer, rather than assuming 4K or 16:9.

FieldWhat to recordValue
Display ownerThe stand contractor or AV company who controls the screenTo confirm
Physical sizeWidth and height of the screen or video wallTo confirm
Pixel canvasThe resolution the playback system actually showsTo confirm
OrientationLandscape, portrait or a custom shapeTo confirm
Viewing distanceHow far away most visitors will standTo confirm
SoundSilent, ambient or with audio, and how loud the hall isTo confirm
Playback systemMedia player, signage system or laptopTo confirm
File specificationCodec, frame rate and file type the system needsTo confirm
Installation testWhen the file is tested on the real screenTo confirm
ApproverWho signs off the file for the showTo confirm

The Labs planning tool below can help collect these fields. Treat anything it produces as provisional until the receiving team confirms it.

FAQ

Common questions, answered.

How long does trade show CGI take to produce?
With an existing 3D asset from a previous XO3D project, screen and social formats typically take 1 to 2 weeks. Commissioning from scratch, a launch suite of film, stills and social formats typically takes 6 to 10 weeks, and a technical or mechanism film on its own 5 to 9 weeks. These are working ranges, not promises. We build the production schedule backwards from your show date, so tell us when the show is and we'll tell you whether it is achievable.
What file formats do trade show screens typically require?
Most modern trade show screens accept H.264 MP4 or ProRes files. XO3D can deliver either for looping content, agreed at brief. For digital signage systems with specific codec requirements, we match the delivery spec to your stand's display system at brief stage. Print dimensions, image resolution, colour profile, file format, bleed and crop marks are agreed against the printer's specification. TIFF is available on request. A 4K screen image is not automatically a print-ready file for a large backdrop.
Can you produce content for multiple shows from the same brief?
Yes, and this is one of the strongest efficiency arguments for trade show CGI. A product 3D asset built for CES in January produces trade show content for MWC in February, Hannover Messe in April, and any subsequent show, the approved 3D scene can be reused, with new renders or edits produced to each show's specification. The outputs and production scope are agreed for each event.

Exhibiting at a trade show?

Tell us the show date, what you're exhibiting, and what stage the product is at.

Add what visitors should understand, and we'll tell you what is achievable by that date.

Planning your project

Give the stand a clear product story.

An exhibition film has to work while people are moving. It may play without sound, on an unfamiliar screen, with only seconds to establish what the product does.

XO3D plans trade-show CGI around those conditions. The film should earn attention, make the product understandable and support the conversation on the stand.

Tell us about your brief
Front view of a Bloq.it smart locker and screen
Bloq.it smart locker. Explore the project

Design for the actual screen.

Send the display dimensions, pixel canvas, orientation and playback specification. A large physical screen does not automatically call for a conventional 16:9 edit.

Confirm viewing distance and safe areas. Keep important product detail and text readable in the installation, not just on a studio monitor.

Build a loop that can be joined anywhere.

Visitors will rarely arrive at the first frame. Give the loop a clear visual rhythm and enough context for someone joining halfway through.

Use silent-first labels where they help. If sound is part of the installation, plan it without making the explanation depend on hearing every word.

Support the next conversation.

A hero loop can attract attention. A separate feature sequence can help the team explain a mechanism. Still frames can support follow-up after the event.

Define these outputs before production so the film and sales material share a visual language.

Work back from the show.

Agree the production milestones, technical approval and final playback test. Include the stand contractor or AV team when their specification controls delivery.

A fixed exhibition date is a reason to resolve decisions early, not to skip review.

Exhibition questions.

Can an unbuilt product be shown?

Yes, where approved source information supports the intended visualisation. Mark unresolved design assumptions during review.

Can the film be reused afterwards?

Plan website, meeting and follow-up versions in the brief. Reuse may require different pacing, text or aspect ratios.

Send the screen and the date.

Tell us what is being exhibited and what visitors should understand.

Updated

About the studio

XO3D is a director-led product CGI studio. Founded by Thomas Howcroft in 2017 and incorporated as XO3D Ltd (UK Companies House 11876020) in 2019, when Alex Mann joined as co-founder. Based at the Business and Technology Centre in Stevenage, UK, with representation at 244 Fifth Avenue, New York. We work with tech, industrial and premium consumer brands on product films, launch stills and interactive experiences.

That makes us the right choice for launch-critical work where the visual standard has to be high and the product may not exist yet.

It makes us the wrong choice for three things, and it is worth establishing that now rather than later.

  • Hundreds of routine SKUs to a fixed template. Continuous template-based output is a different brief from launch-critical creative direction. Choose a production workflow designed for that volume.
  • A website that requires a specific configurator platform. Use that platform where your website requires it, and agree who supplies the models and who integrates the software. A custom configurator is another route: XO3D can build it and hand it over for you to host.
  • The campaign idea itself. If what you need is the strategy, the audience work and the media plan, start with an agency. We are frequently the production partner behind one.
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